Along with workshops, I also like to give watercolour demonstrations. This is an excellent way to give people a taster of what watercolour painting can be.
It’s always important to remember that my demo might be very different from other artists. What I say and do isn’t necessarily what others might agree with, or indeed people wishing to learn about watercolour painting might wish to follow. It’s just another way of approaching the medium.
Red landscape – A very simple watercolour exercise….perfect for beginners.
I gave a demonstration on Monday at The Hurlingham Club in London, but as I haven’t had time to unpack my bag yet, I am using an example I have on file.
In this frame I wet the ‘sky’ area of the painting – dropped some colour into it and allow the paint to bleed (run)……..It’s important to note that at this point the bottom part of the paper is kept as dry white paper.
This next technique is possibly one of the most important – it allows for the avoidance of Mud!! The enemy of any watercolorist….
I have taken a clean, wet brush and gently teased the paint from the sky area, which is still wet, and pulled the colour down. Note I have left some dry white paper at the horizon line.
Always have several pots of clean water available….again this helps in the avoidance of mud.
Working on dry paper, is called ‘dry brush’ which can be very confusing given that the brush always has to have some wetness to it. Like all things there’s all sorts of jargon which can bamboozle someone knew to the game!
In this frame, using a mix of purple and burnt sienna…I have indicated dark areas in the foreground – consciously leaving a lot of dry white paper. I have also allowed the same colour mix to bleed up into the skyline….giving the illusion of trees on the horizon line.
And finally the finished image. Note the areas where I have left – dry white paper’ (this gives the sparkle to watercolour painting) – and also that I have allowed the paint to run….and do its own thing….which I find is one of the great joys of watercolour painting…..plus an excellent lesson in ‘letting go of control’.
Finally I took a knife and scraped out a few lines in the foreground, indicating reeds/grasses.
The exercise is a great one to PLAY with….the importance of which I can never emphasise enough. I find that tube paints allow me to work with juicier colours……again if just starting out, purchase in expensive set of paintings to PLAY with……
And of course I must finish with a magical hummingbird. They do seem to be weaving their magic at the moment:)
Here is the l link to my new ‘Hummingbird page’ – http://www.zazzle.com/janet+weight+reed+gifts
Enjoy a lovely weekend….