Tag Archives: http://www.artinthealgarve.com

A day at the School in Olhao Portugal

One of the group sketching on Armona Island…..20-11-15 - 1 (903)People who sign up for courses at the School in Olhao – http://www.artinthealgarve.com come for several reasons, – yes of course the possibility of sunshine and being with like minded people, but for most it is to explore the creative process.       All levels of ability and experience are welcome.

Those that attend my courses usually come to ‘loosen up’ and so today I am going to talk about the process I use to help people to do this.

After a delicious 8.30 breakfast….we gather in one of the courtyards or studio for our morning warm up.     “Like athletes and dancers, artists need to warm up every day. Playful exercises will  help to awaken the senses”. – Janet Weight Reed

I begin the day with one or two quick demonstrations….an example of one. 

20-11-15 - 1 (995)At this point it doesn’t matter what the subject is, the key is to open one’s eyes and begin to see so that we ready ourselves for the day’s sketching and painting.

A goal of mine is that each person take home with them one or two new tools/techniques.

Something as simple as learning what your brush can do is vital information.    Understanding how different papers re-act….and so on.     By allowing ourselves to play we learn these things.

A warm up exercise by one of the group……20-11-15 - 1 (1018)

I emphasise the use of sketch books throughout the week to record both images and notes.  

A warm up sketch by one of the group showing me giving a demonstration…love this 20-11-15 - 1 (999)After the morning warm up, each person then decides where they would like to sketch.    Some choose to stay within the School with its endless supply of inspiration….or to  go out into the surrounding alleyways and town…..all within a minute’s walk of the School.

For those who have never enjoyed plein air sketching, this can be somewhat daunting, but I find that once people take the leap…..they quickly learn to enjoy the experience.

A sketch by a member of the group who came for the first time last year and had never sketched before…….now she can’t stop….20-11-15 - 1 (1023)After plein air work some members of the group bring their sketches back to the studio setting where they continue to develop their work.

This lovely watercolour from Jayanthi was taken from one of her many sketches from the Saturday Market.18198393_1511394575560684_5675669900655837280_nThose who have followed my blog will know that I believe the creative process in its many forms is the key to mental, physical and spiritual wellbeing, and so the week in Olhao is not only learning about new tools and techniques, but also experiencing those moments of deep contentment and wellbeing that the creative process can bring.

From one of the groups sketch book 18157384_1504663029567172_1420997864278064881_nI believe that by loosening up we advance our observational skills.    Regardless of what kind of work we would like to develop,….the loosening up process will help you to reach your goal. 

It’s important to remember that when plein air sketching…technique comes secondary to observation.       Observation is not just about looking, it’s about seeing.     Therefore,  rapid impressions of the subject helps us to actually see what it is we are looking at…….then if we wish to refine a sketch…..so be it.

20-11-15 - 1 (930)After a morning of sketching – we then join together for lunch at 1 p.m.

Each tutor has their own way of doing things, but I always have a two hour free period after lunch.    Some like to take a siesta….others to go out and about around the Town – observing life….etc. but it seems to work work well.

At 4 p.m. we come together again in one of the courtyards where I give another demonstration.

Two of the group this year were Botanical artists…..and so loosening up for them was a totally different experience.     They both jumped in wholeheartedly….allowing themselves to break free from their normally, very beautiful and detailed work.       One of the loveliest compliments I received from one of the ‘Botanicals’ (as they were dubbed) was at the end of the course when she expressed how much she had gained from the loosening up process.

One of my afternoon demonstrations…using one of the group as a model 20-11-15 - 1 (993)We then work from 4 p.m. til 6 ish.

I am very aware of body clocks and rhythms and so do try to plan a day where people have time to renew and organise thoughts.

At 6 – 6.30 ish people freshen up and prepare for the evening meal….which is always filled with  much conversation,  – a vital part of the week.      Sometimes the meal is taken at the School….freshly cooked by the wonderful Margarida.….or we go to a local restaurant….again just minutes walk from the School.

Speaking of Margarida…..This year there was a new addition – Charlotte – sister to Beatrice.    Yes, last year, Margarida was pregnant

You can just see her bump in this large water colour demonstration I did last year. 20-11-15 - 1 (93)

Here she is with the beautiful Charlotte….A woman of many talents….20-11-15 - 1 (865)And….lovely Joanna, who does the housekeeping and makes our  breakfast every day,  brought the twins to see us….who have grown so  much.

The twins….part of the School tapestry….20-11-15 - 1 (866)I couldn’t possibly finish this post without sharing the beautiful portrait of  me drawn by six year old Beatrice….(sister to Charlotte)….I will always cherish this.

Me – by Beatrice. 20-11-15 - 1 (933)For more images of the group’s work you can go to Art in the Algarve on Facebook http://www.artinthealgarve.com

My choice to day is to Soar above all the madness with the magical hummingbirds….

 

976253_10151660779970396_1579837650_o-2 no sigA Bientôt

Plein air painting – Time to Stand and Stare……

‘What is this life if,  full of care,  We have no time to stand and stare.    No time to stand beneath the boughs  And stare as long as sheep or cows…….’     from the poem ‘Leisure’ – by William Henry Davies. 

Plein Air painting affords us the opportunity to stand and stare.     As we observe the ever changing light, we become present to the sights,  sounds and smells that surround us.    After a while we become one with our subject and with that comes a sense of wellbeing.

Kent landscape – watercolour/gouache P1140440This post is to encourage those who might feel a little nervous of painting in public, to throw caution to the wind, and give it a go……..

Some tips:

1) Travel light.  –  A small sketch pad, one brush, sketching pen, a plastic cup for found water….i.e. river, stream, puddle, pub…..(Unless you are in the desert water is usually easy to find)

2)  A limited palette. –  I take seven colours….and could easily cut down to four.

2)   Some people prefer a sketching stool….I look for steps, walls, benches, rocks….

3)    Sun hat – (sunglasses distort colour)

4)    snack and water to drink.

5)    Optional – a camera to use as reference for future studio work.

Note that in this photograph I have found a table….(I was staying with good friends in Wales)    Also note the plastic bag on the table.    Normally for cosmetics it’s compact, has a zip and a handle, and makes for finding a brush or a tube of paint quick and easy.     Perfect for plein air sketching.

Overlooking the Usk Valley where the Black Mountains and Brecon Beacons National Park meet…..20160824_121557One of the watercolours I painted during that visit.   I plan to return again this year and do many more sketches there. 20-11-15 - 1 (267)It’s important to remember that when painting outside technique comes second to observing the essence of the subject.    The aim is to capture a sense of place…rather than every detail.

In this quick felt tip pen and watercolour sketch from Mas Cabardes S. W. France….I picked the essential components of the scene….capturing an idea of place.   20-11-15 - 1 (250)When I painted this rapid watercolour/gouache sketch, I was on the edge of a 4,000 ft cliff overlooking the white village of Zuheros, Andalucia, Spain,  with forests and olive groves going off into the distance.    It was very windy, and numerous lion eagles were flying overhead.   An extremely exhilarating moment.

It is all too easy to be overwhelmed with the visual feast set before you, and so again the key is to pick the essential components.   In this instance, I used blocks of colour…rather than any detail. 20-11-15 - 1 (36)From a pocket sized sketch book – Fishing boats on Armona Island, Portugal…..20-11-15 - 1 (63)

I remember this vividly.   I was in Portugal and the sun was setting over the hills….and I needed to capture the moment…and so again there is no detail whatsoever – just my feeling of what was happening.   watercolour. 11722205_10153408010935396_6808764412248363582_oI sketched this on a boat in Kinsale Harbour, County Cork Ireland.…and the colours were just like this…..Often when working in sketchbooks,  I join up the pages as you can see here. 10842265_10153035398130396_9042918393838052530_oAnother very happy moment.   I was with my dear friends Mariethe Salort (artist) and Bonnie Halsey Dutton (artist).    We were celebrating July 4th that day and sketched this village – Courrier-sur-Sein – not too far from Paris……watercolour/gouache.    I remember there were lots of little  boys who wanted to get in on the action. 🙂11834711_10153477485855396_4950983751547778998_oFrom a pocket sized sketch book off the coast of Akyaka, Turkey.     watercolour. 20-11-15 - 1 (768)

This final piece was painted in Monet’s Garden at Giverney.    My friend Mariethe Salort had arranged that we could paint in the gardens when all the visitors had gone.   It was such a wonderful summer’s evening and one I will never forget.     watercolour/gouache 10917160_10153020589015396_3953042147092516531_o-2

If you have not done anything like this before and are nervous to go it alone….there are groups you can join….or art associations that organise days of plein air painting for all levels, including beginners.     I can not recommend it enough…..

Of course I always surround myself with magical hummingbirds no matter where I am in the world…..and every now and then I am in places where they are the subject.   watercolour

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Happy sketching…..

A Bientôt

 

Portrait painting workshop……

Tomorrow I am giving a Portrait painting workshop.    My goals are to help the group to be playful, remove the fear that often arises when the words ‘portrait painting’ come up and to focus on capturing the essence of their subject.

I will begin the day with a watercolour demonstration using one of the participants as my model…and then encourage the group to make quick studies of one another.   As this will be part of the warming up process, newspaper or inexpensive wallpaper lining can be used….

Simplifying the subject as demonstrated in this quick study, helps the artist to begin to see what’s in front of them.      I often say that we can live with someone for thirty years but it’s not until you draw or paint a subject that you actually see them.

felt tip pen and a watercolour wash.20-11-15-1-750I highly recommend carrying a sketch book….This offers perfect opportunities to observe people and make quick studies.

During a lecture at an Adlarian Summer School, I made this quick sketch of Vincent.   I used a pen during the lecture and then applied wash afterwards.

pen and wash. 20-11-15-1-747In this study of an elderly lady in a nursing home in Wales – I wanted to capture the stern quality of her expression.

watercolour/gouache/felt tip pen study   20-11-15-1-754Silvern was one of the actors I painted last year when in Nantes France.      I have to say that working with the group as they rehearsed for a production was one of the year’s highlights.    As actors they were naturally very expressive and wonderful to capture.

Note in this watercolour all the whites are dry white paper.

When giving a portrait workshop, I often see people struggling with one aspect of a face, i.e. the nose.    More and more paint is added, causing confusion to the painter and the portrait –   Often all that is needed is a shadow next to the nose – and voila.

watercolour. 20-11-15 - 1 (371)This young woman was enjoying some spring sunshine….note all white areas are dry white paper.    By adding the dark background, the profile is revealed.    I have used the same tone in the background as in the shadow areas of the face….Remember everything is interconnected.

watercolour19853_341904480395_7803458_nIn this alla prima  (painted in one session) oil sketch of my son when he was 26 years old (he’s now 50), note that the strong shadow on his neck reveals his chin…..The top lip is in shadow revealing the bottom lip….The dark in his hair frames and reveals the face. til-august-10-187I painted this oil sketch of Megan about 32 years ago when I was working on  a large portrait of her Mother in my West Chester, Pennsylvania studio.    After a sitting, Megan asked if I would paint her, and so I used the paint left on my palette capturing her in about twenty minutes.

rapid alla prima oil on canvas sketch P1150316A rapid sketch of Eli.    I love drawing/painting children.   The proportions are completely different.      It’s a case of ‘less is more’.

from one of my travelling sketch books.  – pen20-11-15-1-752I painted this spontaneous watercolour portrait of Margarida as a demonstration in Portugal last year.    At the time, Margarida was pregnant (I get to meet the new baby in April. 🙂       I used an elephant sized  sheet of paper.      I didn’t worry about the outcome but simply enjoyed the moment…which is something I highly recommend that others do.

Large, spontaneous watercolour of Margarida. 20-11-15 - 1 (93)And then there is the self portrait.

When models are scarce we always have ourselves.  I have painted several self portraits over the years, and find them to be illuminating – always learning something new about  myself.        This alla prima oil sketch was painted on January 3rd 2000 when I was living in the Magical Town of Crickadoon.    I loved that hat, and somewhere along the way have lost it…..ah well, I still have it in the painting.

alla prima oil on canvas. – self portrait. P1140993Happy painting.

A Bientôt

Peter Griffen and Denise Lithgow return to Art in the Algarve – http://www.artinthealgarve.com

I first met Australian artists Peter Griffen and Denise Lithgow two years ago when they made their debut at the School in Alhoa, Portugal – http://www.artinthealgarve.com

They are much fun to be with, interesting and above all superb artists, and as you will see from their work, multi faceted.    Together they offer a very exciting workshop opportunity.    Dates for Olhao Portugal workshop – 24th til 31st May.

Denise and Peter prior to their workshop two years ago in Olhao….it was such a beautiful day P1170677One of Peter’s dynamic paintings – acrylic on canvas.   You can read and see more about Peter’s work at –     http://www.petergriffen.com              16602280_10207804664946650_393120165238367697_oDenise’s medium is Felt.       When I first saw her work, I was amazed at what Denise is able to create with the medium.    See more at    http://www.deniselithgow.com

Some of Denise’s felt vessels…..10958098_10153556116493835_9102219834970811781_n

“I believe that to make discoveries, risks must be taken:  the traveller must get lost.  A well planned journey can only lead to an already known destination”.   Peter Griffen.     

An example of Peter’s plein air painting – acrylic on paper.

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“My textile practice revolves around free flowing design and bright, vibrant colours.    This approach is dispersed into different areas including silk painting, dying fabrics, machine embroidery and felting”.

Denise modeling her art to wear.

543723_4537711129410_264464360_nWith years of teaching experience between them, along with numerous solo and group exhibitions plus awards and prizes….a workshop with Peter and Denise will be both illuminating, exciting and much fun…..

Peter and Denise in their Sydney, Australia studio. 

img_0144Again dates for the upcoming workshop are 24th til 31st May.     There are still places available, but I would book soon if you have an interest in joining  what I am quite sure will be a superb week.

For all information about booking and courses go to …http://www.artinthealgarve.com

Janet.

Bonnie Halsey-Dutton Tutor at Art in the Algarve…www.artinthealgarve.com

e-bhd-photoI can’t believe that it’s almost that time of the year again when courses start up at the School in Olhao Portugal – http://www.artinthealgarve.com     

I am looking forward to my time there in April, but this post is about another artist and dear friend of mine, Bonnie Halsey Dutton...who will be tutoring a course at the School from May 31st til June 7th.

Although Bonnie hails from Spearfish, South Dakota, I first met her in West Chester Pennsylvania about 28 years ago.      Having just moved to the area she first saw me at an art opening and came up and introduced herself, and the rest is history……

Bonnie’s artwork honours stories and explores mankind’s connection to the past.   Living in S. Dakota impacts her imagery, as her art explores the cultural symbols, stories and ancient artefacts from that region. 

Coming in with the Surf –  Oil on canvas. 

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A professional artist and art educator, Bonnie has had over twenty years of experience in the field of art education.

Her workshop at the School in Olhao will focus on ‘exploration of place’, as well as ‘low stakes, creative risk taking.’

Using water based mediums, the workshop is designed to benefit beginning painters as well as artists wishing to explore their individual painting style.   

Lost and Found – oil one canvas

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By studying art in an inspirational creative environment, like the School in Olhao, participant’s work and thinking is enriched….http://www.artinthealgarve.com

The 150 year old olive tree that emanates from one of the internal courtyards meandering its way up through the different levels of the school.

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The studio 

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The school offers excellent areas for group activities as well as plenty of quiet private spaces.

 

Looking down into the courtyard swimming pool…there is another pool on the roof

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Minutes from the School, the colourful and vibrant market – 

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A most convivial place to enjoy the wonderful freshly cooked food from the School’s kitchen,  and of course much conversation. 

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Bonnie is an enthusiastic and energetic tutor.     She has travelled extensively throughout Europe, –  another reason why she is an excellent person to enjoy and explore this fascinating area with.

You can learn more about Bonnie at http://www.bonnie halsey-dutton.com and at http://www.artinthealgarve.com

I thought I would finish this post on a humorous note with this photograph of Bonnie and me taken in Deadwood, South Dakota – 1995.    We held up a stage coach that day and did quite well:)

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A Bientôt..

 

 

Photo Essay of Beautiful Portugal

travel with other photo essays

via photo essay #77: Ericeira, Portugal — P e d r o L

As my next post will be about one of my favourite places in Portugal, the School in Olhao – http://www.artinthealgarve.com    – I thought this photo essay would be lovely to share.

Away for a couple of weeks….Olhao Portugal

Olhao Portugal – http://www.artinthealgarve.com     From one of my many sketchbooks.20-11-15 - 1 (63)Those who follow my blog will know that I take a break from all social media including my blog when I go away to paint.

Given this, I thought the following passage from my book, ‘The Apple Exercise’ would be appropriate.

‘Given the fast pace of life today and the fact that so many of us are plugged into technology of one kind or another, our collective senses have been deadened. 

Along with this comes a feeling of loss.   A loss that in many ways we are unable to identify.

As we constantly try to fill the ever widening holes with more and more frenetic activity and stuff, our frustration levels grow.

Feeding our senses through the creative process, in all its many forms can produce almost miraculous changes, which lead to a sense of well being and fulfilment.’

11083819_10153183552095396_1247590049461091690_oI will be back here at the beginning of May…..

A Bientôt