Tag Archives: janet weight reed watercolourist

A splash of colour for Wednesday….

Given that it’s August, a month when so many people are on holiday…and life is generally more laid back….this tutorial fits right in.

I am using watercolour on white paper with a touch of designer gouache.    The difference between watercolour and gouache is that Watercolour is a transparent medium, whereas gouache is an opaque medium.        I love the way the transparent and opaque work together.

This image is all about spontaneity and colour, inspired by the beauty of my friend’s garden in Wiltshire.

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I first began mixing watercolour and gouache about 16 years ago.   I was in my studio in Wales…facing a bit of block…and so decided to put out several large sheets of paper and PLAY. It was during the PLAYING  process that I discovered how much I enjoyed mixing these two elements.

This image is all about spontaneity and allowing the brush to dance across the paper.

Using white paper, I began by mixing burnt sienna and prussian blue, and then while the paint was still wet I scraped out some of the paint with my knife.

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I then added some Winsor & Newton Green Gold – quite an expensive pigment, but a superb addition to anyone’s watercolour palette.   A little goes a long way.

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In this frame I have added some Cobalt Turquoise Light gouache to the top of the image….allowing the middle part to stay as dry white paper.    Note I have brought some of the Cobalt Turquoise into the bottom of the painting to bring a sense of harmony and balance to the image.

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I now add Opera Rose Gouache, allowing the colour to bleed into the wet blue area.  Again note that I have brought some of the Opera Rose into the bottom of the painting.   The middle of the image is still dry white paper.

Allowing watercolour to bleed and do its own thing is all about letting go

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I add some Dioxazine Violet to the middle of image, and a mix of alizarin crimson and violet to the Opera Rose mix….all the whites you see, are dry white paper.

I continue to scrape out paint with my knife, which gives a sense of energy.

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To finish, I mix permanent white gouache with gold green to suggest stems and leaves.   I have also added some Schmincke Lasurorange – a wonderful pigment.

The overall effect is an impression of flowers in an English country garden.

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There are no wrongs or rights in this exercise…it’s all about spontaneity and playing. 

I could imagine this image on a huge canvas….it would make quite a splash.

Note:   click on each image to see a larger version.

Today’s Magical Hummingbirds.

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http://www.janetweightreed.co.uk

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A Bientôt

The importance of sketch books….

‘You can’t do sketches enough.   Sketch everything and keep your curiosity fresh.’  John Singer Sargent. 

Given the emphasis I put on the importance of keeping sketch books, every now and then I will share the contents of some of mine.     All the sketches in this post were made in Mas Cabardes, SW France.

My sketch books are small – a place where I can record anything and everything that catches my eye.

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The light in S.W. France is magnificent, and it was the play of light and shadow on this chair that made me want to record it several time.

These sketches are very fast….and are excellent for honing observational skills.

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Again, light and shadow…looking from the inside out….something I love to do.  Two different worlds.

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Early morning looking down into the chicken pen from my bedroom.

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Chicken

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Roof tops from higher up in the village.

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Inside shutters….

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And one of the many cats that visit me when I am in France:)

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When I sketch, I use a tiny palette, one brush and as is the case in some of these sketches, a felt tip pen….Sketch books help me to stay free, and connected to the world around me in a deeper way.

When I pick up one of my many sketch books, I am immediately taken back in time to the place….all my sense are re awakened.

Click on image to see a larger version.

http://www.janetweightreed.co.uk

A Bientôt