Tag Archives: watercolour landscapes

August – the lazy hazy days of summer….

‘Remember to be gentle with yourself and others.    We are all children of chance and none can say why some fields blossom while others lay brown beneath the August sun.’   Kent Nerburn – American author.

The Brecon Beacons, Wales – rapid watercolour


Some magical hummingbirds for a Monday morning – watercolour


A Bientôt

Text for Landscape Tutorial

I painted this image on the magnificent Amalfi Coast, Italy.

Frame 1

For this sketch I am working on a cadmium orange ground which I apply at least 24 hours before use.   Because I am working on a colour ground, I am using a watercolour/gouache mix.     Gouache is an opaque water medium with excellent coverage.   I love the mix of transparent watercolour with opaque gouache.

Frame 2

Using a burnt sienna/Prussian blue mix I indicate the darks of the composition, and also begin to move some of the other colours around the painting.

Frame 3

Using designer gouache permanent white, I now begin to add the lightest areas of the painting, and continue to move other colours around the image to bring a sense of harmony and cohesion.

Frame 4 – Final image.

Mixing transparent watercolour and opaque gouache and working on colour grounds will be explored during the workshop in Portugal

The workshop is for all levels, including total beginners.   For more information go to. http://www.artinthealgarve.com.

A Bientot.

Tutorial 12 – Landscape exercise

I prefer to work from life, however it’s fine to use photographs, especially when they are your own.   Always remember that the photograph is simply a Jumping off point.    We are painters, not photographers. 

This quick watercolour landscape was painted from a photograph I took in the Yorkshire Dales.   Much like Wales, where i lived and worked for 12 years, the landscape changes constantly…one moment vibrant and energetic, the next sombre and brooding. 



Frame 1.

I sketched out an horizon line….and wet the area above the line, using a wash brush.   Note that the area below the line is kept as dry paper. 



Frame 3. 

I then apply a fully loaded brush with juicy paint into the wet area and allow the colour to bleed.    I have used Cotman series Turquoise, Paynes Grey and purple, but any colours can be used…..

In an ideal world it’s a good idea to work on two or thee images at once.    This prevents overworking a painting. Image


Frame 3.

Using the same colours I then sketch out a rough idea of the different shaped fields.  Note that I bring the same strong dark into the bottom of the painting which helps to bring a sense of rhythm to the overall composition.    

I have also introduced some Winsor & Newton artists grade Green Gold. 



Frame 4.

I now begin to indicate the different coloured fields….using Gold Green and Cadmium yellow.   Note where the colour bleeds, I allow it to do its own thing.      

So much of watercolour painting is about letting go and giving up control, something which is not easy for we human beings:)



Frame 5. 

In the final frame I have added some cadmium orange and generally moved colour around the image to give a sense of balance and harmony.   Also note that I left some white paper on the horizon line which helps to give contrast and drama. 


You can play with this concept on newspaper or inexpensive wall paper lining if you wish….and again any colours can be used.   Have fun and let the paint flow. 

These words from Andy Warhol say it all…..



For my friends in the States….I wish you all a very happy Thanksgiving celebration…and for everyone, happy painting. 

A Bientôt